On view: Ragnar Kjartansson, Exhibits in New York, 2025
Meet the Collector: Lisa Perry On Bringing Her Women-Centered Onna House to Soho, Observer, 2025
Pope.L Lives On: A Review of “Life—A Group Show” at Artists Space, New York, Newcity, 2025
Brad Kahlhamer: Bowery Nation: Birds are Talking, Brooklyn Rail, 2025
The American Midwest as Bastion for New Nordic Tradition, Hyperallergic, 2025
Alioune Diagne’s Paintings Embracing the African Dream at Templon, Observer, 2025
With No End in Sight: A Review of Luiz Roque at Mendes Wood DM New York, Newcity Brazil, 2025
Christine Sun Kim Explores the Visual Language of Sound at the Whitney, Observer, 2025
Flowers of Resistance: A Review of Nick Cave at Jack Shainman Gallery in New York, Newcity, 2025
Observer’s Business of Art Power List 2024
Divine Voices: How Art and Religion Intersect in Janet Cardiff’s ‘Forty Part Motet’, Observer, December 2024
Two in One: A Preview of the Retrospective of Twin Artists Osgemeos at the Hirshhorn Museum in Washington, DC, Newcity Brazil, September 2024
Sigur Rós’ Jónsi Has Flooded the Reykjavík Art Museum with Emotion, Observer, August 2024
Weight of Lightness: A Review of Shilpa Gupta at Madison Museum of Contemporary Art, Newcity, August 2024
Connect Across Time: A Review of “Co(r)respondences” at Nara Roesler New York, Newcity Brazil, August 2024
Ho Tzu Nyen’s Poetic Meditations On Time, Tigers and Colonialism, Observer, July 2024
Breathing In: Alison Watt at Levy Gorvy Dayan in New York, OurCulture, June 2024
Weaving Histories: A Review of “Threads to the South” at Institute for Studies on Latin American Art, Newcity Brazil, April 2024
Luke Agada in Breakout Artists 2024: Chicago’s Next Generation of Image Makers, Newcity, April 2024
What Memory Holds: A Review of Paulo Nimer Pjota at Mendes Wood DM, Newcity Brazil, February 2024
Silence Speaks: A Review of Theaster Gates at White Cube Gallery, New York, Newcity, February 2024
Inside Clouds: A Review of Sandra Cinto at Tanya Bonakdar, Newcity Brazil, January 2024
Review of Kate Briggs’s “The Long Form”, The Brooklyn Rail, December 2023
Paintings Without Painting: A Review of Daniel Senise at Nara Roesler in New York, Newcity Brazil, November 2023
Where Art Is Everything: A Review of “Cosmic Shelter” by Hélio Oiticica and Neville D’Almeida at Leubsdorf Gallery in New York, Newcity Brazil, October 2023
Enginn Gleypir Sólina: Two Sound Installations by Magnús Pálsson, Bridge, October 2023
Handwritten Historiographies: A Review of Michael Rakowitz at Jane Lombard Gallery, New York, Newcity, October 2023
Sahana Ramakrishnan’s Shimmering Paintings Blend Myths and Memories, Artsy, September 2023
Micro-review of Undercurrent: The Disappearance of Kim Wall, The Drift – Issue 10, April 2023
Laleh Motlagh in Breakout Artists 2023: Chicago’s Next Generation of Image Makers, Newcity, April 2023
Review of “A Horse at Night: On Writing” by Amina Cain, Bridge, April 2023
Judy Ledgerwood: Sunny, The Brooklyn Rail, February 2023
Finding A Lost Landscape: Edra Soto is Everywhere Right Now, Newcity, January 2023
Stretched Across Time and Frame: A Review of Gladys Nilsson at Garth Greenan Gallery, Newcity, November 2022
Symbols of Life: A Review of Theaster Gates at the New Museum, Newcity, November 2022
Small Wonders: A Review of André Kertész at the Art Institute, Newcity, December 2021
Sounding the City: How ESS Reaches New Audiences, Newcity, November 2021
Our Earth Bodies, Ourselves, Chicago Reader, September 2021
Make, unmake, remake – a profile of sustainable textile designer Helena Elston, Tides Magazine, September 2021
Ways of Seeing: Vivian Maier’s Photographs Tell Stories of an Earlier Chicago Newcity, July 2021
Beyond the Photograph: A Review of Reproductive: Health, Fertility, Agency, Newcity, April 2021
Sunshine & Golden Irises – Tides Magazine, April 2021
Wearable Stories, Tides Magazine, December 2020
Apolojeesus – Radical, Tides Magazine, April 2020
What Remains at DFBRL8R, Chicago Artist Writers, May 2020
From Barbara’s Library: “The Lover” & “Camera Lucida” & “The Invention of Pornography” – Book Reviews for Barbara DeGenevieve’s Memorial Library at Mana Contemporary, March 2020
Mána Taylor 